This post will be my final post in the fun self-exploration and retelling of my filmmaking process that has been this blog. In the six posts I have made before this one, I have explored the sometimes inspiring and sometimes depressingly stressful moments that can arise in the pre-production process and while the process has not yet finished, it is nearing the end, the transition into the production phase of Cocaine to London.
See, just ten minutes before beginning to write this post, I sent in my request to the JHU-MICA film cage, reserving the equipment that will be used to film my short film in just over a month’s time. In two days I will have my last camera test with my camera team, refining and perfecting the last of the complex, handheld shots that we will have in the film. All of our actors have been officially casted. Our shooting schedule is due in a week. Everything that we began over two months ago is finally reaching its end. To celebrate this moment, I would like to explore what comes next: the last few elements of pre-production I have to do and what I should begin to expect from the production and post-production of the film.
As for pre-production, much of my work now is in directing my actors and making sure they are fully prepared for the shoot that is to come. The main aspect of this element is organizing and leading table reads for my actors where we can go over the script and the required nuances of each character, together. Now because all of my actors are in different locations, some as far as New York, and because my script is quite long, these meetings will have to be over Zoom and spread across multiple meetings. I am very excited for this process, though, as it is the first indication of what the final product, the final performance will be. I will be able to hear my work finally be read aloud by the people who will actually be the characters, the first time that the script will truly be brought to life.
From there, all that is left is working with my camera team and production team to confirm the remaining nuances of the shoot from making sure that we all fully understand the shots to officially preparing the food pick-up situations and more… the tying of the final loose ends.
The shoot dates for Cocaine to London.
And then… it is filming time. My shoot will be a 7 day production with an added 8th prep day at the start. Based on the rough draft shooting schedules we have now and the total shooting length we have for the film, it will be a long shoot. It will also be a hard shoot at times. Whether it be the film’s inclusion of musical elements, or the difficulty of some of the very emotional acting performances, there are a lot of aspects of the shoot that can go wrong. I can’t say I’m not nervous, but by doing this blog series, I have learned all I can really do is make sure that I am fully aware of everything I need to do and make sure I give the entire crew the amount of information they need to feel just as comfortable. I trust everyone on the cast and crew and know that as long as we are all on the same page, we can overcome the difficult elements of this shoot.
Once the shoot is done, it is on to editing. I will work with our local production service building Digital Cave for color grading and color correction. We will hire a sound mixer and editor to create the best digital scoundscape of the film possible (a very important part of the film). And then, in early April to late May, Cocaine to London will premiere at Studio North’s Premiere Festival at the Parkway Theatre. There, this year-plus long journey will finally reach its climax. The work I have spent so long on will finally see the big screen.
Before I submitted this blog post, I looked back through the other six I had written. Seeing it all laid out, the entire process, it really put into perspective just how quick it all felt. It really does feel like just yesterday that I sat down, struggling with writer’s block, and crafted the first draft of what would ultimately become Cocaine to London. It was not always a great time, but right now, seeing this pre-production phase being almost completed, I can’t help but feel happy and proud. I know it is just a short film, but it is my first short film and the first time, maybe ever, that I have put this much effort into something. I don’t know how it will turn out, but all I can do is keep going and put as much effort into it as I can.
For now, I wait.
Cocaine to London COMING SOON!
Until some next time…
Devin
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